David Knotts first came to public attention as a finalist in the 1994 Young Musician of the Year Competition when the London Sinfonietta premièred his first large-scale work, Songs of Parting. The exceptional warmth and lyricism of these Whitman settings brought interest from many quarters and a string of commissions from some of the country’s finest soloists, orchestras and chamber-music ensembles followed.
These have included the BBC Symphony Orchestra, the Scottish Chamber Orchestra, the Endymion Ensemble, English National Opera, the Composers Ensemble, the Britten Estate (to celebrate the re-opening of Aldeburgh’s Jubilee Hall) and a series of pieces for the Schubert Ensemble.
Born in West Sussex in 1972, David Knotts began formal piano tuition at the age of seven. His interest in composition soon followed and he studied for five years as a junior exhibitioner at the Royal Academy of Music. He went on to study with Robin Holloway at Cambridge University, Robert Saxton at the Guildhall School of Music and Drama and completed a doctorate in composition with Martin Butler in 2004. In 2007, he was made an honorary associate of the Royal Academy of Music where he has taught since 1994 and is also a member of staff at Trinity College of Music.
The genesis of David Knotts’ intensely lyrical and personal style can be traced back to his early settings of Walt Whitman. Since their première, he has been preoccupied with poetry and prose as a source of inspiration. Many of his titles reflect this interest in writers ranging from Virgil (Secret Gardens) to Viginia Woolf (…and fall and rise, and fall and rise again…/To the Lighthouse) and Tasso (Adorni di Canto) to Zhang Dai (Nightwatching: ways of looking at the moon). There is also a keen interest in folk poetry: Albanian laments in A Sea Green Partridge of April, Cretan love poetry in Bring Down an Angel and Spanish ballads in The Count Arnau.
David has also been drawn to compose for the stage. He has worked extensively with writer, Katharine Craik, a relationship which has produced two chamber operas, Stormlight and Bake for One Hour. His 2006 opera, Mister Purcell – His Ground was premièred at the Royal Opera House and his latest operatic venture, a macabre cabaret opera with writer and singer, Jessica Walker entitled An Eye for an Eye was premièred at the 2013 Bath and St Magnus International Festivals.
Recent highlights have included The Count Arnau for Bassoon and Orchestra, commissioned by the BBC and performed by all of the BBC Orchestras and a new piece for the Schubert Ensemble, On such a night as this is! premièred at the South Bank in a concert to celebrate the birthday of composer, Howard Skempton. This piece was subsequently featured in a tour of the US and was featured in the BBC’s festival of the music of Judith Weir and broadcast on BBC Radio 3. Recent commissions have included a collaboration with Barnsley poet, Ian McMillan for Robert Ziegler and the Matrix Ensemble, (Outstruments: A Sound Adventure)The Long Way Home for the Lawson Trio (recorded on the Prima Facie label) Tsirana for Pipers3, Fossegrimmen for cellist Gemma Rosefield and a violin concerto for Simon Blendis, From Crystal Heavn’s Above. Recent commissions have included Laments and Lullabies, a piano concerto for Tom Poster for the 2015 Presteigne Festival, Toads on a Tapestry, a large scale cantata with poet John Gallas commissioned for the nationwide Magna Carta celebrations and Grimm Tales for guitarist, Craig Ogden. Future plans include an opera based on Shakespeare’s late romance, Pericles.